The TV participants represent some of the UK’s most exciting new digital photography talent, chosen for their postings to this website in late 2007.
They’ll go head to head during the series, stretching their creative and technical abilities in challenging photography assignments assessed by a panel of famous industry judges.
And the most talented of the bunch will go on to win the title of Britain’s best new digital photographer, getting their work published in an exclusive book and showcased in a dedicated exhibition.
You’ll get the chance to view and comment on TV participants photos in detail on this site in the New Year and they may even drop by to comment on yours in return
Read more about the TV contestants below.
Jay Mawson
Biography
Born in Leeds 1974 - grew up in Huddersfield, Uni at York (Politics, Philosophy & Economics) then moved back to Leeds.
Short foray into hotel management before becoming a Stockbroker for 6 years (fun!) then taking a project management route. Currently Business Information Director for OCS Group UK Ltd (property services company).
I've been married to Ruth for 2 years and we have a lovely, erm, cat.
Bought my first camera in December 06 and haven't looked back.
Other interests include eating out, films and music...this complete lack of any real interests is probably why I took to photography so quickly ;)
Why did you fall in love with photography?
Photography gives me a way to show people my view of the world – what I find beautiful or interesting. One of the major pleasures is when people look at things in a different light, or with a different perspective, after looking at one of my images. The actual making of a photograph and the reaction to it from both myself and an audience are equally important to me.
What/who influences you?
Beauty, geometry and my environment are my biggest influences. When I started with photography I had no references other than images we all see everyday - mainly through films and magazines. Much of my work has a cinematic element to it. As I've become more involved I've started to devour images by other photographer through books, magazines and the internet. My influences seem to change weekly, but at the moment I'm enjoying images by Klaus Thymann.
What is your favourite photograph that you've captured and why?
My favourite photograph changes frequently - that's part of the beauty of photography. My favourite photograph is always the next one. At the moment, it's a shot titled 'I Can See For Miles & Miles' which was the result of a recent shoot I planned out from scratch and spent some time researching. My other favourites include one of the shots I took as part of Picture This (the portrait of Lucinda) and an early shot called 'Deliverance' of a crucifix and power turbines in France.
What would your ideal photo shoot look like?
My ideal photo shoot is either of two scenarios. I still enjoy Street photography - so visiting a new city with my camera is always something I relish - not a conventional shoot, but still a legitimate setting. If I'm setting up a shot from scratch, then a shoot in a location with striking geometry, colours and people is what I favour - it's as much about the environment as the person in the photograph. I guess that's inherent in all of the shots I've mentioned as favourites above.
What is more important, creativity or technique?
You can produce technically perfect photos of the dullest subjects and they will be dull. Something I've learned recently is that blurry, hurried or badly exposed photographs can be far more exciting than the most perfect technical shot. So - to answer the question - I'd say creativity. Although it does help if you understand how a camera works...
What skills do you definitely need as a photographer?
A skill that I learned from some of the other guys on Picture This was patience. Even within Street Photography, patience is a virtue. For every 'grabbed' shot there are 10 better ones to be had by forseeing an event that might occur in a specific place. I know now that this is what photographers (since Bresson) call the Perfect Moment. A love of people also helps if that's a direction you wish to go in – people skills can be very important.
Are good pictures more the result of good planning or spontaneity?
The question spans several genres and has different answers within each. For example, in portrait photography, you can plan a shoot to the nth degree, but it's a moment of spontaneity that you're looking to capture. With Street Photography, you can plan the location, but again the moment is spontaneous. Perhaps the only shoots where spontaneity isn't an issue is andscape and product shots. Even with landscapes though, there's a moment when the sun breaks through unexpectedly. Planning can increase your chances of a good shot, but it's not a critical factor in my photography.
Illustrations of spontaneity:
Which experiences did you gain during the tv show?
Picture This actually completely changed my photography. Prior to the show, I had probably 5 images with people in them - I actively avoided shooting human subjects. As the theme of Week 1 was Portraits, I was thrown in at the deep end a little (to say the least!) with both the subject matter and the use of a studio and lighting equipment. Since then, I've rarely taken an image without a person in it, and have invested more and more in lighting equipment. At the end of the day photography is about light, and being able to understand light is key to the vast majority of photographs across any genre.
Episode 1
Jay Mawson's Projects
Self-Portrait
Documentary
My Passion: A Personal Project
Decay
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lucinda.chua said...
Posted on 29/12/2007 19:26
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